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Zoom b3 patches download –
A few bit crusher patches. MonoSynth into MonoPitch one octave down and blended into Z-Synth which is the key to the deep, fat, rich tone heard.
Zoom B3 sound samples and patches –
Sound clips is just me noodling live through each of the patches included, cycling through them in patch mode on the B3. A few bit crusher patches. My attempt at heavily gated, high gain fuzz sounds. You hear clean, then the three patches shared here, then a standard gated fuzz from the Octavius Squeezer. Keep in mind no amp sims are used here so you’re hearing the raw tone of the fuzz. Listenin to the clip I find the Zoom fuzz to be more pleasing, but overly bass laden compared to the Squeezer fuzz which sounds awesome through my amp.
For some reason it comes through thin sounding here, though it is definitely a more mid-focused square fuzz. Bah, should’ve recorded through an amp sim. Patch is bypass by default, then Pitch Shift, MonoPitch, and Octaver all set to soloed so you can quickly compare some of the different octave sounds.
First crack at a plucked double-bass type sound. Make sure to play like you’re using a double bass – with fingers, and near the neck. Quick attempt to compare various compressors. Fingered run, then picked run, both with obnoxiously accented attacks at the end.
I did my best to setup each comp similarly so you can hear their performance and tonal differences. Check the shared patch for my exact settings. Best attempt to create a couple patches that sound somewhat like a classic Civil War muff using my Wren and Cuff Box of War tone as a template. All of my current synth patches. Whipped up a fairly simple synth bass line using jumped octaves which are typically a challenge for most monophonic pitch tracking effects.
Another attempt to create a patch that sound somewhat like a classic Civil War muff using my Wren and Cuff Box of War tone as a template. This one soundsa little more creamy due to the heavy compression, and I think tonally less thin and brittle in the top end due to using a preamp as a tone shaper to roll off the highs and scoop the mids.
On the downside, no noise gate so it has an audible noise floor. Patch I made for a bridge in one of my band’s new songs. Has a fairly fat envelope filter with an optional ducking delay which sounds great with held notes as the delay fades in. By uncle psychosis , March 7, in Effects. Hey folks I know there are a few B3 users here, anyone care to share your patches? To start with I guess just post your settings, but if we get enough interest maybe we can set up an online repository somewhere for everyone to post their patches directly.
I’ve got a couple of nice ones based on ideas I got from Talkbass, I’ll post them when I get home. I’m loving my B3 so far, nothing too exciting patch wise. Although I do have a patch setup for ‘one of these days’, I always set that patch up first.
Ironically none of my bands has ever played it, I just like it. I use the Chameleon Herbie Hancock one that someone put up – t’is a very good replication, we do a few bars of that track as a link in my functions band. I know it is not really a bass Jack’s playing, but anyway I would appreciate the info! Am i the only one that wants to use the B3 as a 3 distinct pedal unit? I would like to find a site with presets for each individual Fx not for a whole patch. I use it as a three pedal unit too.
Generally I use the same three effects or subsets thereof for all songs chorus and amp sim, reverb to thicken things up for some guitar solos , but there’s a few that I use just on one song so there’s a separate couple of patches for those.
Many thanks for putting these patches online. I was looking for an Octaver and ended up getting my B3 down from the loft and realising how useful it is.
I’m at work playing with the Edit and Save software and can’t figure out how to import the patches onto my Macbook. I want to download them but can’t seem to drag or import the files.
My B3 isn’t connected and I’m working with the computer patch set. The files have downloaded as. Can anyone help? I am a newbee to this chat and I was wondering whether anyone has a Zoom B3 patch for bass tone on Adele’s song “When we were young”.
The bass tone sounds like a Hoffner Violin Bass, I could be wrong. Your assistance is much appreciated. Regards, Vic. I’ve had a B3 for a while now and never really sat and used it to it’s full potential. Essentially, it’s been a glorified tuner I’m just recently getting to grips with it, but I’m not really sure I fully understand the concept – I’m looking for an expert to help me out! Is it just me that can’t seem to press the two pedals simultaneously?! Does the bank function mean that you can access more than 3 pedals within one patch?
Is there no option to go past J9 and create K0, 1, 2, 3 etc? I’ve just bought one myself. Although I am not an expert I’ll have a go at answering some of your questions. In addition, if you use memory hungry effects together the B3 may not be able to run them all.
It then bypasses one of them. The graphic of the affected effect reflects the bypass with a cable running horizontally through the screen of that effect. I believe the amp models are the most resource hungry effects. Buggered if I know. Until you get a feel for it perhaps yes. I think you are limited to three at a time. Yes, if you scroll through them using the up and down “TYPE” buttons at the top of the screen where you want the effect.
The unit seems designed with the intent that you have your patches worked out and stored in a sequence that you can scroll through quickly with the footswitches. That way, you can give them names that are relevant to your set. Changing effects within a patch can’t be done with the footswitches though. You’d have to reach down and press the “TYPE” buttons. I think so. If I overwrite the unit autosaves patch changes a patch that I want to restore later it’s still on the laptop.
Not onboard the unit. Any help greatly appreciated so I can finally get some proper use out of this machine. You’re welcome. I hope my limited knowledge helps.
This is also a great topic for other users to chip in with their findings. The B3n will do seven patches in a chain and I read that it has better quality sims. It gets rid of the XLR out though. I’m dead happy with the relative simplicity of three effects at a time in the B3 for now. I have used mine both as 3 stand alone pedals and multiple pedals combined into patches.
– Zoom B3 factory patches – Effects – Basschat
Here как сообщается здесь some sound samples recorded with my Zoom B3 bass mutlieffect. Note I’m a self-taught, intermediate player. Click the cgraham. My quick review: Pros : The price! Clean blend on most effects which is often desired by bass players plus a donwload per-patch clean blend.
Cons : A нажмите сюда of the effects aren’t fabulous sounding zoom b3 patches download is always one of the issues downlooad multieffects, though you usually have more than one to choose from.
Drive effects are also not “touch sensitive” so they have the same basic sound at all input volumes unlike a natural tube overdrive which cleans up when the input is rolled off. No MIDI input so no way to slave a MIDI clock or control via MIDI, in fact there isn’t even a tempo setting per-patch it’s one global setting which is super annoying downlod you want a bunch of different patches pre-programmed to specific bmp.
Requires an external footswitch to use tap tempo, but then you cannot use an expression at the same time as there’s only a single sereo control jack. No really good way patchew directly switch paches while playing. An editor app, but no zoom b3 patches download library to faciliate easy user sharing of patches, can power from a Voodoo Labs ma 9V connector zoom b3 patches download you don’t need the annoying external power brick. Patch Download right-click and choose Save As.
MonoSynth into MonoPitch one octave down and blended into Z-Synth which is the key to the deep, fat, rich tone heard. This bpm zoom b3 patches download illustrates the limit больше на странице the retriggering possible with the monosynth effect, at least with my playing ability. I’m heaily palm muting and playing all down strokes which seems effective with aiding retriggering though you can hear my notes читать полностью behind the beat frequently.
Playing quarter notes instead is no issue but I thought I’d illustrate the boundaries of the performance of the unit. Batch of custom synth patches, some of which are leverages from the factory “Moog” download on hp laptop. Sound clips is just me noodling live through each patchea the patches included, cycling through them in patch mode on the B3.
A few bit crusher patches. My attempt at heavily gated, high gain fuzz sounds. You hear clean, then the three patches shared here, then a standard gated fuzz from the Читать Squeezer. Keep in mind no amp sims are used here so you’re hearing the raw tone of the fuzz. Listenin to the clip I find the Zoom fuzz to продолжить чтение more pleasing, but overly bass laden compared to the Squeezer fuzz which sounds awesome through my amp.
For some reason it comes through thin sounding here, zoom b3 patches download it is definitely a more mid-focused square fuzz. Bah, should’ve recorded through an amp sim. Patch is bypass by default, then Pitch Shift, MonoPitch, and Octaver all set to soloed so you can quickly zoom b3 patches download some of the different octave sounds. First crack at a plucked double-bass type sound.
Make sure to play like you’re using a double bass – with fingers, downooad near the neck. Quick attempt to compare various compressors. Fingered run, then picked run, both with obnoxiously accented attacks at the end. I did my best to setup each comp similarly so you can hear their performance and tonal differences. Check the shared нажмите чтобы перейти for my exact settings. Best attempt to create a couple patches that sound somewhat like a classic Civil War muff using my Wren and Cuff Box of War tone as a template.
Patcyes of my current synth patches. Whipped up a fairly simple synth bass line using jumped octaves which are typically a challenge for most monophonic pitch tracking effects. Another attempt to create a по этому адресу that sound somewhat like a classic Civil War muff using my Wren and Zoom b3 patches download Box of War tone as a template.
This one zoom b3 patches download little more creamy due to the heavy compression, and I think tonally less thin and brittle in the top end due to using a preamp as a tone shaper to roll off the highs and scoop the mids. On the downside, no noise gate so it has an audible noise floor. Patch I made for a bridge in one of my band’s new songs.
Has a fairly fat envelope filter with b33 optional ducking delay which sounds great with held notes as the delay fades in. You’ll likely need to adjust the filter zoom b3 patches download as my bass has a fairly high output so it opens the filter easily, some of my other instruments require a bump in sens.
Patch I made to test out three comps. Theoretically set for zoom b3 patches download output levels and overall compression action so you get to hear the difference of the comp models.
I personally tend to favor and D-Comp models. I couldn’t really nail the specific tone but I think it gives you an overall static LPF quality which could be good for reggea, dub, etc. If you need more highs in the tone adjust the Frequency in the splitter. Last updated
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